And in a more standard manner of prestigious film storytelling, women band together-sometimes through violent demonstration-in attempts to get votes for women in Suffragette. Her husband (Kyle Chandler) tries to use a 1950's legal definition of lifestyle indecency as reason to keep their daughter away from her, and thereby within their male-dominated partnership. In one of my personal favorite films of the year, Carol ,Р В РІР‚в„ўР вЂ™Р’В a woman (Cate Blanchett) attempts to live out her fully realized personhood by living on her own as a lesbian. Usually this theme is explored psychologically and 2015 had some strong examples of that. What is also unique about 2015 is that many of the best films of the year used the theme of women escaping male oppression as a major narrative thrust. That's certainly a reason to toast 2015 as being unique. While countless think pieces have centered around why the Best Actress category is almost always full of less significant roles than the robust Best Actor field, that cannot be said of 2015. In 2015, I'd argue that every viable Best Actress candidate- Cate Blanchett, Jennifer Lawrence, Juliette Binoche, Charlotte Rampling, Saoirse Ronan, Brie Larson, Rooney Mara, Alicia Vikander, Emily BluntР В РІР‚в„ўР вЂ™Р’В and Charlize Theron-actually gave a more nuanced and full performance than any of the actors on the other side. It's unfortunate that there isn't an actress who's 'overdue' for an Oscar in 2015 because most media outlets will likely focus their actor awards coverage on whether or not Leonardo DiCaprioР В РІР‚в„ўР вЂ™Р’В can get his first Oscar for The Revenant, likely shifting the spotlight away from 2015 being, top to bottom, the most stacked Best Actress race in years.

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